Course Name | History of Turkish Media |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
MCS 207 | Fall/Spring | 3 | 0 | 3 | 4 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Elective | |||||
Course Level | First Cycle | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | This course outlines the key developments in the Turkish Media since the midnineteenth century. Each development will be examined in relation to the historical context and its impact on Turkish society. More specifically it will focus on how through their development these different media interact with social and political changes. |
Learning Outcomes | The students who succeeded in this course;
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Course Description | The course outlines the main developments in the history of the Turkish media. It shows the significance of the technological development in the media and their impact on culture and society. ACADEMIC CAUTION Academic honesty: Plagiarism, copying, cheating, purchasing essays/projects, presenting some one else’s work as your own and all sorts of literary theft is considered academic dishonesty. Under the rubric of İzmir University of Economics Faculty of Communication, all forms of academic dishonesty are considered as crime and end in disciplinary interrogation. According to YÖK’s Student Discipline Regulation, the consequence of cheating or attempting to cheat is 6 to 12 months expulsion. Having been done intentionally or accidentally does not change the punitive consequences of academic dishonesty. Academic honesty is each student’s own responsibility. Plagiarism is the most common form of academic dishonesty. According to the MerriamWebster Online Dictionary, to plagiarize means to steal and pass off (the ideas or words of another) as one’s own. The easiest and most effective way to prevent plagiarism is to give reference when using someone else’s ideas, and to use quotation marks when using someone else’s exact words. A detailed informative guideline regarding plagiarism can be found here. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | ||
Supportive Courses | X | |
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction | |
2 | Emergence of the Press in the Ottoman Empire | M. N. İnuğur (1982) Basın ve Yayın Tarihi. |
3 | Development of the Turkish press in the Ottoman Empire | M. N. İnuğur (1982) Basın ve Yayın Tarihi. |
4 | Turkish Press in the First World War | M. N. İnuğur (1982) Basın ve Yayın Tarihi. |
5 | The Emergence of Turkish Press in the Republic of Turkey | U. Kocabaşoğlu (2007), "Tek Parti Dönemi Matbuatı Üzerine Gözlemler"; 100 soruda Türk basın tarihi : 1908 – 1972 Yüz soruda Türk basın tarihi/ Topuz, Hıfzı, Verfasser II. Mahmut'tan holdinglere Türk basın tarihi /Topuz, Hıfzı, Verfasser |
6 | Turkish Press in the Second World War | U. Kocabaşoğlu (2007), "Tek Parti Dönemi Matbuatı Üzerine Gözlemler"; 100 soruda Türk basın tarihi : 1908 – 1972 Yüz soruda Türk basın tarihi/ Topuz, Hıfzı, Verfasser II. Mahmut'tan holdinglere Türk basın tarihi /Topuz, Hıfzı, Verfasser |
7 | Press in the Multi-Party Period | H. Topuz (2003), 100 Soruda Türk Basın Tarihi. |
8 | Midterm I | |
9 | Development of the Political and Literature Weeklies/ Monthlie | B. Varlık,Tanzimat ve Meşrutiyet Dergileri; U. Kocabaşoğlu (1984), Cumhuriyet Dergiciliğine Bakış.; Osmanlı'da Dergiciliğin Doğuşu ve Gelişimi (1849-1923)/ DEMİR, KENAN DEMİR |
10 | The Broadcasting History | Osmanlı İmparatorluğu'nda Telgrafın Kurulması; E. Özendes, The Art of Photography in Ottomans; 1900'den 2000'e Yüzyıllık Ses Tarihimize Müzikle Yolculuk. |
11 | An Outline of History of Cinema in Turkey | Sinemamızda çöküş ve Rönesans yılları: (Türk sineması 1990-2004) / Atilla Dorsay |
12 | Midterm II | Ö. Çankaya (2003) TRT; Bir Kitle İletişim Kurumunun Tarihi: 19272000, İstanbul: YKY.Ş. Tekinalp (2003) Camera Obscura’dan Synopticon’a Radyo ve Televizyon, Der Yayınları. |
13 | The Broadcasting History | Ö. Çankaya (2003), "Türkiye'de Radyoculuğun İlk Yılları". |
14 | The Political Role and the Organisational Structure of the TRT. | Medya politikaları: Türkiye'de televizyon yayıncılığının dinamikleri / derleyenler D. Beybin Kejanlıoğlu, Sevilay Çelenk, Gülseren Adaklı Raşit Kaya & Barış Çakmur (2010) Politics and the Mass Media in Turkey, Turkish Studies, 11:4, 521-537, DOI: 10.1080/14683849.2010.540112 |
15 | Local and Alternative Media in Turkey | S. Alankuş (2003), "BİA ve BİA Eğitim Çalışmaları Üzerine"; R. Duran "Türkiye'de Yerel, Bağımsız Medya ve Yurttaş Gazeteciliği". |
16 | Final Exam |
Course Notes/Textbooks | Lectures, supported by the study of books and journal articles listed in the weekly schedule. |
Suggested Readings/Materials | Documentaries |
Semester Activities | Number | Weigthing |
Participation | 1 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 1 | 20 |
Presentation / Jury | ||
Project | ||
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 1 | 30 |
Final Exam | 1 | 40 |
Total |
Weighting of Semester Activities on the Final Grade | 65 | |
Weighting of End-of-Semester Activities on the Final Grade | 35 | |
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | 16 | 1 | 16 |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | 1 | 10 | |
Presentation / Jury | 5 | ||
Project | |||
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 1 | 16 | |
Final Exams | 1 | 25 | |
Total | 115 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to critically discuss and interpret the theories, concepts and ideas that form the basis of the discipline of new media and communication. | X | ||||
2 | To be able to critically interpret theoretical debates concerning the relations between the forms, agents, and factors that play a role in the field of new media and communication. | X | ||||
3 | To have the fundamental knowledge and ability to use the technical equipment and software programs required by the new media production processes. | |||||
4 | To be able to gather, scrutinize and scientifically investigate data in the processes of production and distribution. | |||||
5 | To be able to use the acquired theoretical knowledge in practice. | |||||
6 | To be able to take responsibility both individually and as a member of a group to develop solutions to problems encountered in the field of new media and communication. | |||||
7 | To be informed about national, regional, and global issues and problems; to be able to generate problem-solving methods depending on the quality of evidence and research, and to acquire the ability to report the conclusions of those methods to the public. | |||||
8 | To be able to critically discuss and draw on theories, concepts and ideas that form the basis of other disciplines complementing the field of new media and communication studies. | X | ||||
9 | To be able to develop and use knowledge and skills towards personal and social goals in a lifelong process. | |||||
10 | To be able to apply social, scientific and professional ethical values in the field of new media and communication. | |||||
11 | To be able to collect datain the areas of new media and communication and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | |||||
12 | To be able to speak a second foreign language at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest